ways of world-ending
In high school, I admired T.S. Eliot for his ability to write dynamic, long pieces that never dragged. They were epics even without changes in setting. Most importantly, they were obviously experiential and had a succinctly human element to them. For example, we see in The Love Song of J. Alfred Prufrock:
| In the room the women come and go | |
| Talking of Michelangelo. |
He’s documenting on an experience, and in that he encompasses a major concept in the philosophy of writing, that the writer, in virtue of documentation, never experiences, but is always outside the subject matter. That is not to say the writer does not have bias; in fact, the writer completes the bias, capturing the fleeting image of impression, the act carrying the feeling, rather than the feeling encompassing the act. There is something to say when a writer does not exhibit emotion in words, and rather actions. The passersby are intellectuals, amongst the immense design of things (to bring Willa Cather into the picture). Don’t actions speak louder than the verbalization of emotions?
I only introduce T.S. Eliot in order to justify my own document (-ary? -ation?). I wrote this a while back, high school or freshman year of college, and I arbitrarily assigned myself the task of writing what I mistook for an epic. Really, it was just a long-ass poem. I added Part 4 my freshman year to add more resolve. I almost crashed Word.
Enjoy.
The Living Day from the Eastern-Bound H.H.
Part I
As the overhead lamp has been carved into shade,
All enemies must have to be met to be paid
For the crimes of both days and both times
As your shepherd at this hour climbs.
So you think, so I perceive
My reason to so quickly leave.
Let the hero start at his home,
As I begin such a tome.
There’s this peace when I wash dishes
That allows me to think through wishes
I’d never have had before – done,
But nonetheless my thoughts were won.
By what else, than the memory of your nights
So gently gifted to me? I see them in lights
Present all year, not the single
One, oh you know, the cold jingle.
It becomes obscene; so, make way, make haste
For an epic standing on your doormat’s waste
While you sip and gulp away, masking
Importance by walking and basking
What truth you held essential
To this product’s birth referential
Of irrelevant imposition, a great fight
For the screaming’s and interpretation’s fight!
Forget not the likes and fields covered
In the burning of trees that only hovered –
Yes, admittance requires saying only you were fooled
Into thinking such fires could be so quickly cooled.
The desperation on which you blame – nay, assume me
Will never be in your times of thinness through thee,
In repentance’s grace, as humankind speaks
With One Voice which smells the reeks
Of painfully slow and broken galleys
In your torn books’ valleys
Of your true greatest fear…
Your lies are but mere
Until some moron acts upon such vile things
And stuff. Only then can such that spirit which brings
Us all a hereditary calm of silence;
And I turn back, with more compliance
Like this sponge absorbing water, soap, the unclean
And still so right, and make you all glean
Before the honors of fates and gods
And still receiving little courteous nods.
While I still take it. I still take it
And simply receive the title to fake it.
Of course, blindness can never be affirmed
Unless you read by touch. Even then, those that wormed
My life away from me without knowing my life
Might have chosen my clothes, food, wife.
And of course, my struggles and this quick strife.
Well, it’s not quick, it’s my life, and like this sponge,
I can only be stone and dry unless the plunge
Is taken, met, made into a life, my battle
Which shakes my existential foundations to rattle
Before my fire should die
And cause a broken lie
To ask for a hope. Here’s a hope, there’s a hope,
But always remembering to use my soap.
The pain I have earned
Are from the lessons I have learned.
Part II
Here is where I wake up again,
And a mask made is the one I feign.
I always give better than I take,
Which explains this internal so fake.
A crime it is, nonetheless, for all adhering,
This shockwave that sends us fearing
Into the delight of another debate,
Furthering our hate.
One cleanses to release the aches of rest;
We do not want to inaction to infest.
It is where we rise as Apollo has wheeled
Across our sky, across this field
Which I defended with such ridden angst.
Verily, it was Apollo, I, that rose the ranks
And became what I woke up to become.
It becomes true for me – not for some.
Here where all roads lie, I cannot mar vision
For others. If it becomes so, it is their decision.
Would some mistake in death or life make such
As I drive wheels across for which I ache so much?
It’s the back road I take, whether it becomes the main
Or the lost, I follow what I can to ease my bane.
This bane, however, is not poison that would
Penetrate my deepest neighborhood.
No, it’s not like that at all.
For there to be a rise, there must be a fall.
But which was first? The demise or
The elevation at best of lies for
Our own progression. Oh, the things for which worry
Does take hold, does take sacrifice. It becomes a hurry
To feel the way I do now as I enter white walls
And see these blood ridden dolls
That wish nothing but sleep. By midday, however,
They nudge awake their eyes and become clever,
Smart enough to take on what I give:
To defy death in an all they live,
To listen when no one can hear,
To stand by and release your peer,
To believe as if faith were alone,
To describe as artists can hone,
To write with conviction and taste of red,
To look in a pair of eyes and see the dead.
To finish what they have started.
Here, here I see where I have parted
From the likes of the great, from the voices of empires –
Is this where I was meant? To be crowned with such liars?
It’s madness I see, it’s madness I commit!
Calm… calm I must be. I should sit
And grate my meal and commune
Since I’ll return to chaos just as soon
As I begun such a day. When I face this five
Times a week, I know this life as I am alive.
Such an existence they called,
And some hearing this are appalled –
Perfection. Every hex that forms into one unity
Of encumbrance, of crosses burdened in impunity,
Together come unto the crossroads of this very existence.
What rex would now apply a resistance?
Only kings of hearts and queens of loss;
And then those who simply gloss
The truth for fun,
Thereby putting it to a gun.
For the truth is in greatness, and mocking a god
Is death by the brightest rod.
For now, work is resting.
All that waits is the home of testing.
Part III
Arriving at the rest unwelcome
Is my fate at its sum
Upon the rise of a familiar shadow in night.
Of course it’s night – it’s the hour in which I write,
Think the life’s problems and her solutions
As music fades in her humble dilutions.
In the forsaken weariness and regret,
I must win this recurrent bet
Of zero to one –
One to run,
Run, run, run away in a distance gone
Far away from my own front lawn.
I run into this place as if
I ran into a court, the plaintiff
Of discourses formerly known to purge
My only truth: the ending dirge.
I call my story.
For all the glory
And here the hearth would be coldest;
And now the pendulum would be boldest
So as to charge the fields of contentment with dissent
Of the hypocrite’s reasons to arbitrarily regret
For a crime not committed, not condoned in the analects
I created for each of my persona, for each of their sects
That define the indefinite
And everlastingly implicit
For the day I started far too late
Leaves me weak and insatiate
For discipline of fate and the everyday relief
Under every Athenian olive tree leaf.
No gift from no divine somehow became antithetical
Until constantly the warrior kept finding his reticle
Turn every friend, mother, brother, and teacher into the wrong enemy
As every republic soon took care after another, until the hegemony
Knew no reason why it did not know,
Why there was no sorrow to show;
What is good for one man must be good for all, so it’s true
That the help once advised is become used in the lieu
Of the common sense, treatise, and freedoms of the Men inherent
To the very fabric of Men themselves, the Men who did parent
At one time truth to be told
Morals that never grew old
Until the bitterness of competition
Required a quite constant repetition
Of jealousy contained, kept with the reaches
Of actions’ brutal and irrational breaches.
No such protection exists for Man until he would earn this shield
Left in lost fortresses, left on top of buttresses, maintained in a weald
Free of fire, free of cultivation, and free of all truths made new
From the ones that did not come quite to
The benefits of the only mutation I’d ever known.
By the God of Time, this is what is meant to be alone.
Never fitted with Vulcan’s raiment,
I nakedly face the Titanic clamant
Not in the skies or the stars, or west of the world,
Or even in the modern mountains left uncurled,
Or in the restless quantities so vast in the Selion,
Or the ironic jungle left to courage’s rebellion,
Or even the skin, the crust, the peeling of the world as it comes home;
This is such a secret left undusted in the history, left unlearned of the tome
That precedes fear and hold nothing dear
And gives death nothing but a mere,
Soft glance,
A chance,
For something better to result in nothing left untainted.
Too many times the heart was too fainted
For the trekking through the gates Tartarian,
Far into the core of plasma and magma marrying,
Into the appearance not held until, until,
Until it is too late to be still
Well enough to read the Bible required blood to read,
And to believe the faith requiring truth to accede
With nothing and everything in the cosmic apparition
Of the politic innate to the inevitable partition
Leaving the heart, the heart so marred
To leave condition, to fall apart
Into the cycle left cold, dead, and dying
To want such a life, to be trying
Of the fate in every man, the gift of mortality,
And to write his own conclusive finality
Of the journey never meant for him,
Never meant to have lived in a whim
Of no reason,
Of every treason,
Of never wanting a life at all,
Of existing in a state of such appall,
Of fighting the oblivion in the beauty of Men,
Of never picking up the truth in every pen,
Of always falling, down and down again,
Of rarely ever seeing the brilliance reign
Of this very strife
Of her every life
Of the days meant to be had
Of the fears that led to nothing bad
Of the boundaries resilient
Of not needing to be prescient
Of the future in store,
Of giving up everything ever hope for
Of leaving the tablet alone to God,
Now to enter one’s own laud
With nothing short of a smile,
And everything more than the while
To forgive one’s self,
The spiritual pelf
Envied by none, endeavored by all
And at least there in the last Hall
For any snowed and bleeding sword
To finally embrace of the one Lord
Praised, believed, held so sublime,
Only believed by one soul at a time.
Now we can see and can believe
In the flight of fear, and can relieve
Our consciences from the apprehension –
Lies conceived are lies held in tension,
But together we provide comfort, and alone,
Well, alone, we find strength, should we be in the zone
Of true consciousness, rebelliousness, resistance,
Youthfulness, wisdom, and sheer pestilence
To a society unfulfilling, of course, that have emptied it
Of all the good deed and cleverness with wit
Accomplishing the dreams of children unborn.
These, however, are children without scorn,
Ones truly alive, aside from the cynicism,
Yet with no constraining mysticism
Conjured for a short-term resolve,
An answer born in dissolve
To an absolute searching
For absolution lurching
In the sink, the school, the house,
The child, the teacher, the spouse,
And all encompassed in the final series
Of established, of a long life with wearies
That stretch beyond any – and mine –
Imagination. More like tine,
Than a rose, we find it by touch and feeling,
Not by a gentle and, possibly, careful peeling
Of layers as if though this life were a book
Taken by masters, the bishops, the rook,
For a final assault on the king
That simply couldn’t bring
The life back into a life forgotten,
The anecdote of the rotten
Smell of oblivion. Scriptures pass,
And Scriptures come, but it is the completion
We must see, the picture in frame, no deletion
Of the details that paint in every color,
Even those that appear duller,
For we must see all to practice,
Quite painful like a desert cactus,
We must see nothing to believe,
Like a passenger not received,
And become not one mind,
Or body, or soul, but find
Ourselves in one entity, ready,
For the growth so solemnly steady.
We rise, and we fall,
Like humans, greatest of all
That lived to die, that lived to hate,
And lived to do what makes them great.
From stones to iron, from steel to lightning
And the world still brightening,
We will have a hope, and should all the world implode,
Scatter, and leave no book or trace, the code
Of hope will stand in the hearts of beings far and wide,
Never to, like us in bitterness, collide.
We are dead, and we are alive,
But nothing will keep us in the jive
Of treason to deepest good,
Melted into the softest wood
And fallen from the thousand branches out of our hearts.
That one story, that one victory, is all our part.
Deep inside us, there is always good.
And to do good, eventually, we would.
Over again, without fear, over again,
With absolutely nothing to gain.
This, my friends, is the Lord in every heart
And He, always present, would never be apart
In the tenet to always have the gates open to –
Well, you would know; wouldn’t you?
Part IV
Were the answer not obvious initially,
The truth must come out provincially
Into the hearts of the readers, of the seekers,
And of the lovers, the last I call meeker
From disappointment, for they should know best,
That the gates of love are nothing more than a pest,
Since life is not as beautiful if we can provide ourselves with rest.
In the end of despair and the beginning of fear,
In the sheer gain of doubt and to hide with a leer
The remarks we wished never came before –
But my friend, we have, and will evermore.
It becomes the true warrior, nay,
The poet? – not the kind that brings dismay,
But, the one who proclaims in terra pax,
Who has picked and hacked all those locks
We feared in childhood and mocked in maturity.
There is no real proof for our aloof surety,
Other than that a voice still speaks,
Always will, and will ring through peaks,
And hillsides, towers and bridges,
Forests and rivers, and the ridges
Will not fault in a quake, but break the armor
Of the enemy, and we will not spill blood for
The sake of it, but will call on the protest of Fate,
Yes, that enigma we found easy to loathe and hate,
Now believed to be an ally.
No, fool, we have to rely
On nothing but ourselves.
In this arena, he delves,
She creates,
We berate,
I insinuate,
You tirade,
And the Enlightened One finds.
This is the meaning of humankind.
About this entry
You’re currently reading “ways of world-ending,” an entry on nothing to pity
- Published:
- February 11, 2010 / 13:15
- Category:
- allusions, experience, literature
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